As life in my workshop last fall became very busy with new instrument commissions and a flurry of other violinmaking activities, I decided not to attend in person the Violin Society of America's 16th International competition. Instead, I sent two instrument a viola and a violin to the competition to see how they would fare in the competition..

While I was very sad not to reacquaint myself with old colleagues and hear the many interesting lectures that are always on offer at VSA gatherings,, I was amply delighted when both of instruments were granted awards, my new model (see below) Gasparo Da Salo receiving the highest honor of a Gold Medal, and my Ex-Huberman model Guarneri Del Gesu a Certificate of Merit for Tone.

All in all it was a very good outing for my instruments and a pleasing endorsement of of the quality of my instruments.

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Scott and Son Violins?

On March17th, 2004, Ian David William Scott, Rachelle’s and my first child, was born. Since his birth, Ian has been very interested in the sound of violins and enjoys the kind attentions of all of the clients who visit our shop. Now that he is crawling, it is a common sight to see him sneaking into the workshop and chewing on chips and shavings of spruce and maple… craftsman can never get too early a start at knowing his materials!

We look forward to the day when Ian can begin playing and perhaps even making violins.

A New Gasparo DA Salo Model Viola!

Each year I make at least one trip to the U.K., and one of my inevitable stops is the Ashmolean Museum in Oxford. The Ashmolean houses one of the world's most outstanding collections of stringed instruments, the Hill Collection of Musical Instruments. Among the instruments in this collection are several very fine examples of Gasparo DA Salo. For years, one viola in particular, has captivated me with its strong and honest elegance, intimating back to another era's aesthetic, one so rarely seen in workmanship styles of our own age.

During the summer of 2003, thanks to the generosity of the collection's curator, I was able to spend two days with the DA Salo viola. This supplied me with the resources to set out and developed a DA Salo model closely based on the Hill Collection's original. The results have been stunning, producing an instrument with a dark and expansive viola tone. I look forward to explore the potential of this model for many years to come.

Kelvin Scott Violins moves its violinmaking studio to its new home in Knoxville.

In spring of 2003, Kelvin Scott Violins moved from its previous location on the north side of Chicago to Knoxville, Tennessee. This represents an exciting time for the workshop, and we have never been busier making new instruments. Nevertheless, we have found our new home city to offer a rich musical landscape, from an interesting concert season with the various area orchestras, principally, the KSO, to the folk music tradition that has such deep roots in Eastern Tennessee.

We look forward to our time here and will do our best to serve the local musicians as well as continue to provide the highest quality new instruments to players all across the United States and around the world.

Kelvin Scott Violin wins Certificate of Merit for Tone at 2002 VSA Convention and Competition

In the Violin Society of America's 15th International Competition for new instruments dna bows, Nov. 11 to 17, 2002, Kelvin Scott's submission of an Ex-Huberman model Del Gesu received one of four Certificate of Merits for Violin Tone from a field of 181 violins. The tone judges weren't the only players who appreciated the sound and appearance of this violin, as it sold "from the display tables" hours before the competition awards we made public.

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Radke and Scott Collaboration

In the fall of 2001, my good friend, the master German violin maker, Oliver Radke, and I found ourselves one day lamenting the number of extraordinary historical makers whose work is not widely appreciated due to the sometimes eclipsing orbits of the giants of the Golden era of Cremona. At the time, Oliver Radke was in the midst of a complicated restoration project on a badly damaged Camillus Camilli. This Camilli was a gem of violin, and it served as a impetus for what has become a much-enjoyed collaboration between two makers. To date we have made four Camillis together and we are presently preparing a Storioni mode violin and a Goffrilier violal.

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